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Shipping cost cannot be calculated. With factory-produced film being a thing of the distant past, one has to work around that issue first. Getting the spool is the first step, and in my view, it was simplest to just get some pre-rolled film and some extra spools.
Michael Raso and the FPP team make that quite simple; the FPP store has a variety of films already hand-rolled onto spools, as well as newly-made, injection-molded plastic spools for purchase.
While initially a bit expensive, once you have the spools, you can re-roll yourself easily, and use them over and over again. You can Google how to do it; there are numerous YouTube videos, articles, etc. As always, Mike Butkus has manuals available for classic cameras including the Duaflex if you need assistance understanding how to load the film; Google will reveal them to you with a search.
The Duaflex is a manual-wind camera with a ruby window. Be aware: Seeing that number on some films will be difficult , in particular, on Kodak films. Worse, the typeface that Kodak has chosen for its modern backing paper printing make it very difficult to see what is, in fact, a numeral 1, and on my first attempt, I went right past it to frame 2.
Once ready, then all there is to taking a shot is pointing it at what you want to take — with the subject in full daylight — and pressing the shutter button. Be aware:. Once all the shots are taken, wind the film completely onto the take-up roll, open the back, remove, seal the roll, and process or have it processed, as the case may be. It can be an interesting creative challenge to get outside with the camera on a nice day, and not be able to think of things like depth-of-field, focusing instead on composition, and composition alone.
If you happen to stumble across one, you might consider giving it a try; they come-up reasonably often in antique stores and the like, and of course, are easily found on eBay, although often at ridiculous price points. Tags: Kodak Medium Format Review. Thanks for visiting Beyond the Aperture.
To learn more, check-out the About page, or read News for the latest. It seems to me that for decades, Kodak had a successful, two-part business model. Sell products and services that support that, ensuring a robust recurring revenue stream.
For a very long time, it worked quite well for the company. Ethel Mertz, portrayed by Vivian Vance, with a Duaflex around her neck. Indeed, twin-lens reflex TLR cameras like the Rolleiflex were the cameras of choice for many professional photographers of the day, and it seems evident that Kodak was attempting to capitalize on that with the Duaflex: The Rolleiflex has two lenses up front; so does the Duaflex.
Indeed, the differences start to stack up. A Kodak ad from December click to view the full size image. This shows a Duaflex IV — the final version of the Duaflex — and the pricing at that time.
You can also see evidence of what I spoke about in the opener: photography as a lifestyle essential. Fellow Denver photographer Daniel Schneider had this to say about the shutter speeds of the Duaflex II in his review : The shutter, a simple leaf, has two settings: Bulb and Instant.
Seeing Double in the Snow.
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